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SDG

Legends of the Infancy, Christmas carol, MuseScore simulated organ.

SDG

0:45	Est. Play Time
23	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon	10	0	0	5	51%
	9	0	0	5	100%
View all 20 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon	10	0	5	51%
	9	0	5	100%
	9	0	5	100%
B♭ Clarinet	13	3	5	100%
C Trumpet	13	3	5	100%
English Horn	15	0	5	100%
Flute	13	3	5	100%
Oboe	9	0	5	100%
Organ LH	9	0	5	100%
Organ RH	13	3	5	100%
Piccolo	9	0	5	100%
Picolo	13	3	5	100%
Soprano/Alto	13	3	5	100%
Tenor/Bass	14	0	5	100%
Voice	13	3	5	88%
	13	0	5	88%
Contrabassoon	10	0	5	51%
Double Bass	10	0	5	51%
Pedal	10	0	5	51%
pedal Flute	10	0	5	51%

1. Ach bleib bei uns, Herr Jesu Christ, J.S. Bach, BWV 253.

SDG

0:31	Est. Play Time
11	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice	13	0	3	5	100%
	13	0	2	4	100%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice	13	3	5	100%
	13	2	4	100%
Soprano/Alto	13	3	5	100%
Tenor/Bass	13	2	4	100%
Contrabass	10	2	3	50%

Turn your eyes upon Jesus.

SDG

0:48	Est. Play Time
32	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	7	0	2	5	100%
Bass	11	0	3	5	100%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	7	2	5	100%
Bass	11	3	5	100%
Soprano	11	2	5	100%
Tenor	8	1	5	100%

Dear Lord and Father of Mankind, TUNE: REPTON, Parry, Whittier

SDG

0:01	Est. Play Time
49	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ	22	7	6	6	100%
	18	0	6	4	78%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ	22	7	6	6	100%
	18	0	6	4	78%
	17	3	4	6	100%
Alto	11	0	0	4	78%
Soprano	11	0	0	4	78%
Bass	11	0	0	4	53%
Tenor	11	0	0	4	53%

Weet je dat de Vader je kent? Een parel in Gods hand, Elly en Rikkert. SATB arrangement, Gertim (SDG). Sampleset: Giubiasco.

SDG

0:34	Est. Play Time
13	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ	9	0	0	5	100%
Recorder	8	0	2	5	100%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ	9	0	5	100%
Recorder	8	2	5	100%
Soprano/Alto	9	0	5	100%
Tenor/Bass	14	2	5	100%
Contrabass	6	0	5	50%

32. Ich liebe Jesum alle Stund'. (learning)

SDG

0:38	Est. Play Time
11	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	7	0	2	4	100%
Bass	9	0	1	2	100%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	7	2	4	100%
Bass	9	1	2	100%
Soprano	9	2	5	100%
Tenor	7	0	3	100%

Waken! Christian children, Christmas carol.

SDG

0:44	Est. Play Time
16	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Manual I	8	0	1	3	100%
Manual II	6	0	0	4	100%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Manual I	8	1	3	100%
Manual II	6	0	4	100%
Pedal	12	2	5	100%
S A	8	1	3	67%
T B	14	2	3	67%

32. Befiehl du deine Wege, J.S. Bach, BWV 272.

SDG

0:55	Est. Play Time
14	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice	16	0	5	5	100%
	16	0	5	5	100%
View all 7 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice	16	5	5	100%
	16	5	5	100%
	22	7	6	100%
	22	7	6	100%
Soprano/Alto	16	5	5	100%
Tenor/Bass	22	7	6	100%
Contrabass	16	5	5	50%

292. Wer hat dich so geschlagen, O Welt, ich muss dich lassen, BWV 244.37, J.S. Bach.

SDG

0:38	Est. Play Time
13	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice	13	0	2	5	100%
	13	0	2	5	100%
View all 7 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice	13	2	5	100%
	13	2	5	100%
	18	3	5	100%
	18	3	5	100%
Soprano/Alto	13	2	5	100%
Tenor/Bass	18	3	5	100%
Contrabass	15	2	5	50%

Precious Lord take my hand

SDG

0:44	Est. Play Time
16	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Sopraan/Alt	15	0	3	4	100%
Tenor/Bas	14	0	3	4	100%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Sopraan/Alt	15	3	4	100%
Tenor/Bas	14	3	4	100%
Violoncello	9	1	4	100%
Contrabass	10	2	3	50%
Bass	12	2	3	45%

12. Allein Gott in der Höh' sei Ehr', J.S. Bach, BWV 260.

SDG

0:55	Est. Play Time
12	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice	1	0	0	1	6%
	14	0	3	5	100%
View all 10 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice	1	0	1	6%
	14	3	5	100%
	1	0	1	6%
	14	3	5	100%
	1	0	1	6%
	16	3	4	100%
	16	3	4	100%
Soprano/Alto	14	3	5	100%
Tenor/Bass	16	3	4	100%
Contrabass	14	2	2	50%

338. Was Gott thut, das ist wohl gethan. J.S. Bach, BWV 144-3.

SDG

0:51	Est. Play Time
12	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice	12	0	1	4	100%
	12	0	1	4	100%
View all 7 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice	12	1	4	100%
	12	1	4	100%
	14	1	4	100%
	14	1	4	100%
Soprano/Alto	12	1	4	100%
Tenor/Bass	14	1	4	100%
Contrabass	9	1	3	50%

25. Auf meinen lieben Gott, J.S. Bach, BWV 148.

SDG

0:38	Est. Play Time
13	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice	12	0	2	4	100%
	12	0	2	4	100%
View all 7 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice	12	2	4	100%
	12	2	4	100%
	15	3	5	100%
	15	3	5	100%
Soprano/Alto	12	2	4	100%
Tenor/Bass	15	3	5	100%
Contrabass	11	2	3	50%

Stabat mater, Zoltan Kodaly

SDG

0:39	Est. Play Time
8	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	5	0	0	3	100%
Bass	10	0	2	3	100%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	5	0	3	100%
Bass	10	2	3	100%
Soprano	8	1	3	100%
Tenor	6	1	3	100%

19. Alles ist an Gottes Segen, J.S. Bach, BWV 263.

SDG

0:41	Est. Play Time
12	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice	13	0	2	5	100%
	13	0	2	5	100%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice	13	0	2	5	100%
	13	0	2	5	100%
	19	1	4	6	100%
	19	1	4	6	100%
Soprano/Alto	13	0	2	5	100%
Tenor/Bass	19	1	4	6	100%
Contrabass	15	0	2	3	50%

8. Ach Gott, wie manches Herzeleid, J.S. Bach, BWV 3-6.

SDG

0:25	Est. Play Time
9	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice	13	0	2	2	100%
	13	0	2	2	100%
View all 7 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice	13	2	2	100%
	13	2	2	100%
	18	3	2	100%
	18	3	2	100%
Soprano/Alto	13	2	2	100%
Tenor/Bass	18	3	2	100%
Contrabass	11	2	2	50%

Behold the lamb of God, Messiah Händel.

SDG

0:25	Est. Play Time
32	Measures
	1,242Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin I, 2nd	18	0	3	8	100%
Violin II, 2nd	20	0	4	9	100%
View all 21 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin I, 2nd	18	0	3	8	100%
Violin II, 2nd	20	0	4	9	100%
Violins I	18	0	3	8	100%
Violins II	20	0	4	9	100%
Bassoon, Bassoon	16	0	3	8	94%
Cello	16	0	3	8	94%
Contrabass	17	0	3	8	94%
Viola	16	0	3	9	94%
Alto	13	0	3	6	81%
	13	0	3	6	81%
	13	0	3	6	81%
Soprano	13	0	3	7	81%
	13	0	3	7	81%
	13	0	3	7	81%
Oboe, Oboe	13	0	3	7	81%
Harpsichord	24	50	6	8	75%
	24	36	5	8	72%
Tenor	13	0	4	6	75%
	13	0	4	6	75%
	13	0	4	6	75%
Bass	15	0	3	8	75%

Jesus, the very thought of Thee. Tune: ST. AGNES (Dykes), or sung on 'calm on the listening ear of night' (Christmas hymn)

SDG

0:34	Est. Play Time
14	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice	10	0	1	3	100%
	10	0	1	3	100%
View all 8 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice	10	1	3	100%
	10	1	3	100%
	12	1	3	100%
	12	1	3	100%
Soprano	7	0	3	100%
Soprano/Alto1	10	1	3	100%
Tenor/Bass1	12	1	3	100%
Bass	9	0	3	50%

Vader maak ons één. Father make us one. Arrangement: Gertim

SDG

0:42	Est. Play Time
16	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass	15	0	3	3	100%
Soprano/Alto	12	0	1	5	100%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass	15	3	3	100%
Soprano/Alto	12	1	5	100%
Tenor/Bass	15	2	6	100%
Violoncello	15	3	3	50%

361. Bin ich gleich von dir gewichen, Werde munter, mein Gemüthe, J.S. Bach, BWV 244-40.

SDG

0:52	Est. Play Time
12	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice	12	0	3	5	100%
	12	0	3	5	100%
View all 7 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice	12	3	5	100%
	12	3	5	100%
	20	3	3	100%
	20	3	3	100%
Soprano/Alto	12	3	5	100%
Tenor/Bass	20	3	3	100%
Contrabass	15	2	3	54%